| Category of Media Work | Artists and Their Works |
| AI Art / Algorithmic Painting | [‘Harold Cohen – Brooklyn Museum Installation (1983)’] |
| AI Art / Emotion Synthesis | [‘Naoko Tosa – Talking to Neuro Baby (1994)’] |
| AI Art / Generative Systems | [‘John Klima – Ecosystem (2001)’] |
| AI Art / Interactive Sculpture | [‘Ken Feingold – If/Then (2001)’] |
| AI Art / Psychoanalytic Narrative | [‘Zoe Beloff – The Influencing Machine of Miss Natalija A. (2002)’] |
| Algorithmic Art / Generative Systems | [‘Manfred Mohr – P-159/A (1973)’] |
| Chronophotography / Early Motion Studies | [‘Eadweard Muybridge – Woman Kicking (1887)’] |
| Early Motion Capture / Scientific Visualization | [‘Etienne-Jules Marey – Chronophotographe Géométrique (1884)’] |
| Experimental Documentary / Political Cinema | [‘Anwar Kanwar – A Season Outside (1997)’] |
| Experimental Video / Performance | [‘Joan Jonas – Double Lunar Dogs (1984)’] |
| Installation / Video Narrative | [‘Judith Barry – Maelstrom (Part One) (1988)’] |
| Interactive Art | [‘Grahame Weinbren – Frames (1999)’] |
| Interactive Art (VR) | [‘Char Davies – Ephémère (1998)’] |
| Interactive Art / AI Art | [“David Rokeby – N’Cha(n)t (2001)”, ‘Ben Rubin and Mark Hansen – Listening Post (2003)’] |
| Interactive Art / Biofeedback Systems | [‘Christa Sommerer and Laurent Mignonneau – Interactive Plant Growing (1994)’] |
| Interactive Art / Data Visualization | [‘George Legrady – Pockets Full of Memories (2001)’] |
| Interactive Art / Immersive Video | [‘Luc Courchesne – Landscape One (1997)’] |
| Interactive Art / Scientific Visualization | [‘Victoria Vesna with Jim Gimzewski – Zero@wavefunction, Nano Dreams and Nightmares (2002)’] |
| Interactive Cinema / Narrative Interface | [‘Toni Dove – The Common Dream (1993)’] |
| Interactive Installation / Participatory Media | [‘Perry Hoberman – Bar Code Hotel (1994)’] |
| Interactive Sculpture / Textual Systems | [‘Janet Zweig – Mind Over Matter (1993)’] |
| Mechanical Sculpture / Sound Installation | [‘Tim Hawkinson – Überorgan (2000)’] |
| Motion Capture / Digital Performance | [‘Paul Kaiser and Shelley Eshkar – Pedestrian (2002)’] |
| Multimedia Opera / Performance | [‘Robert Wilson and Philip Glass – Einstein on the Beach (1986)’] |
| Multimedia Performance / Video Art | [‘Laurie Anderson – Stories from the Nerve Bible (1995)’] |
| Net Art / Browser Art | [‘Mark Napier – Riot (1999)’] |
| Net Art / Data Visualization | [‘Josh On – They Rule (2001)’] |
| Networked Art / Interactive Public Installation | [‘Rafael Lozano-Hemmer – Vectorial Elevation (1999)’] |
| Performance / Media Critique | [‘Ant Farm – Media Burn (1975)’] |
| Performance / Video Art | [‘Joan Jonas – Lines in the Sand (2002)’, ‘Joan Jonas – Lines in the Sand (2002)’] |
| Performance / Video Documentation | [‘Vito Acconci – Various Performances (1971)’] |
| Performance Art / Cybernetics | [‘Stelarc – Amplified Body, Third Hand (1992)’] |
| Photomontage / Dada | [‘Raoul Hausmann – Tatlin at Home (1920)’] |
| Photomontage / Political Art | [‘John Heartfield – Hurrah, die Butter ist Alle! (1935)’] |
| Sound Art / Environmental Media | [‘Stephen Vitiello – Frogs in Feedback (2000)’] |
| Sound Art / Installation | [‘Mary Ann Amacher – Music for Sound-Joined Room (1998)’] |
| Surveillance Art / Video Installation | [“Julia Scher – I’ll Be Gentle (1991)”] |
| Tactical Media / Political Art | [‘Critical Art Ensemble – Welcome to a World Without Oil (1984)’] |
| Telematic Art / Interactive Installation | [‘Roy Ascott – Organ Concerto au Pays des Merveilles (1995)’] |
| Telepresence / Biotech Art | [‘Eduardo Kac and Woo Nakamura – Essay Concerning Human Understanding (1994)’] |
| Text-based Installation / Conceptual Art | [‘Jenny Holzer – ARNO (1996)’, ‘Jenny Holzer – Protect Me from What I Want (1986)’, ‘Jenny Holzer – Survival Series (1990)’] |
| Text-based Installation / Memorial Work | [‘Jenny Holzer – Laments (1989)’] |
| Video Art | [‘Bill Viola – Going Forth By Day (2002)’, ‘Irit Batsry – These Are Not My Images, Neither There Nor Here (2000)’, ‘Mary Lucier – Oblique House (1993)’] |
| Video Art / Early Media Installation | [‘Frank Gillette and Ira Schneider – Wipe Cycle (1969)’] |
| Video Art / Essay Film | [‘Chantal Akerman – From the Other Side (2002)’] |
| Video Art / Feminist Art | [‘Martha Rosler – Vital Statistics of a Citizen (1977)’] |
| Video Art / Feminist Media | [‘Dara Birnbaum – Damnation of Faust: Evocation (1984)’] |
| Video Art / Feminist Sci-Fi Cinema | [‘Lyn Hershman – Conceiving Ada (1996)’] |
| Video Art / Language Exploration | [‘Gary Hill – Still Life (1999)’] |
| Video Art / Media Critique | [‘Dara Birnbaum – Wonder Woman (1978)’, ‘Gretchen Bender – Total Recall (1987)’] |
| Video Art / Media Sculpture | [‘Nam June Paik – TV Buddha (1974)’, ‘Nam June Paik – Magnet TV (1965)’] |
| Video Art / Political Feminism | [‘Shirin Neshat – Untitled (Rapture series) (1999)’] |
| Video Art / Spiritual Themes | [‘Bill Viola – Room for St John of the Cross (1983)’] |
| Video Installation / Ambient Media | [‘Doug Aitken – New Skin (2002)’] |
| Video Installation / Conceptual | [‘Bruce Nauman – Live-Taped Video Corridor (1969)’, ‘Dan Graham – Opposing Mirrors and Video Monitors (1974)’] |
| Video Installation / Ecological Media | [‘Nam June Paik – TV Garden (1974)’] |
| Video Installation / Narrative Experiment | [‘Eija Liisa Ahtila – The House (2002)’] |
| Video Installation / Political Art | [‘Doug Hall – The Terrible Uncertainty of the Thing Described (1987)’] |
| Video Sculpture / Installations | [‘Tony Oursler – Horror (from Judy) (1994)’] |
| Virtual Reality / Immersive Environments | [‘Jeffrey Shaw – Configuring the Cave (1996)’] |
29 Μαρτίου 2025
LIST OF WORKS
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