Selected Courses on Digital Art-UOWM

16 Δεκεμβρίου 2012

http://sunsite.berkeley.edu/

Filed under: Notes — admin @ 15:00
http://sunsite.berkeley.edu/
http://berkeley.worldcat.org/wcpa/servlet/org.oclc.lac.search.SearchServlet?scope=1&oldscope=1&q=athens&dblist=1708%2C1875%2C143%2C1834%2C1847%2C1271%2C2130%2C1476%2C1525%2C1953%2C1943%2C2233%2C2005%2C2148%2C1941%2C2158%2C239%2C2038%2C2007%2C2006%2C2221%2C2162%2C2164%2C283%2C285%2C638&qt=owc_search

Santa Cruz Quadrangle 30-minute

http://www.lib.berkeley.edu/EART/

Everybody’s Right to Beautiful Radiant Things”

Filed under: Notes — admin @ 14:42
http://ucblibrary3.berkeley.edu/Goldman/images/holiday_card2013.pdf
We are proud to announce the publication of the third volume of our series offering a rare glimpse into the history of Emma Goldman’s role in affirming the right of “freedom of speech, freedom of action, and freedom in love.” Emma Goldman could not have known that the years from 1910 to 1916 would be her most prolific, perhaps the most celebrated in her entire life. Reveling in love and in anarchy, immersed in visions of social harmony, dissent against injustice, and interest in the new, Goldman blossomed as a political theorist, writer, and orator. Volume 3: The American Years, Light and Shadows, 1910-1916 reveals a portrait of a woman, not without her shadows, but essentially in the light of her life. Work has already begun on the forthcoming Volume 4: The War Years 1917-1919 also published by Stanford University Press. Your contribution will help complete the series “Emma Goldman: A Documentary History of the American Years 1890-1919” Our only consistent source of support now comes from private donors. Funds from our National Endowment for the Humanities grant will run out in June. The University of California cut-backs have left us completely reliant on outside sources and due to fiscal difficulties at Stanford University Press we have to raise all pre-production editing and layout costs ourselves. Contributors will be highlighted in the acknowledgements in our next volume. and will receive a copy of a Goldman letter written on an important date of your choice. Donors who contribute $250 or more will receive a copy of Volume 3. Volumes 1 and 2 are available, and will be offered as gifts to longtime donors. Book cover photo: Emma Goldman ca. 1910s, The Gerhard Sisters. International Institute for Social History Inside photo: EG at her desk with lilies, ca. 1910s, The Hoover Institute on War, Revolution, and Peace Emma Goldman letter to Theodore Dreiser, 27 December 1913. University of Pennsylvania, Van Pelt Library. This holiday card was designed by Andrea Sohn (grand-niece of the late and grand Sarah Crome who, in 1980, helped launch the Emma Goldman Papers) in collaboration with Candace Falk, and underwritten by a generous contributor.

Please address your checks to “The UC Berkeley Foundation, ” earmarked to ‘The Emma Goldman Papers.’
Mail your tax-deductible contribution to:
The Emma Goldman Papers
University of California
2241 Channing Way
Berkeley, CA  94720-6030
Or contribute on-line through our website linked to
the campus secure donation site: http://library3.
berkeley.edu/Goldman

Ways to Stay in Touch
Telephone: 510.642.4708
e-mail: emma@berkeley.edu  
You can also follow Emma’s lecture
tours, and Project news, on
Facebook: Friends of the
Emma Goldman Papers and
on Twitter: EmmaGPapers.

Everybody’s Right to Beautiful Radiant Things”


Emma Goldman, undoubtedly one of the most notable and influential women in modern American history, consistently promoted a wide range of controversial movements and principles, including anarchism, equality and independence for women, freedom of thought and expression, radical education, sexual freedom and birth control, and union organization and the eight-hour day. Goldman’s advocacy of these causes, which many deemed subversive at the time, helped set the historical context for some of today’s most important political and social debates.

Goldman’s role in securing the right to freedom of speech in America is especially significant. She herself was frequently harassed or arrested when lecturing–if her talks were not banned outright. She worked with the first Free Speech League, which insisted that all Americans have a basic right to express their ideas, no matter how radical or controversial those ideas might seem. Directly out of this work came the founding of the American Civil Liberties Union, setting in motion the beginnings of the modern free speech movement in the United States.
Goldman’s impassioned advocacy of politically unpopular ideas and causes like free love, anarchism, and atheism earned her the title “Red Emma” and led many of the powerful to fear and hate her. Attorney General Caffey wrote in 1917, “Emma Goldman is a woman of great ability and of personal magnetism, and her persuasive powers make her an exceedingly dangerous woman.” But others stressed Goldman’s role as an educator, one who in nationwide lecture tours spread modern ideas and practices to a young and provincial country. One newspaper editor described her as “8,000 years ahead of her time.”
Now, over fifty years after her death, Emma Goldman’s commitment to freedom and equality, her political courage and personal resilience, continue to inspire the public–and stir up controversy.

http://jwa.org/womenofvalor/goldman

Emma Goldman, 1869 – 1940

This exhibit was produced in collaboration with the Emma Goldman Papers.
“I want freedom, the right to self-expression, everybody’s right to beautiful, radiant things.”
Emma Goldman dedicated her life to the creation of a radically new social order. Convinced that the political and economic organization of modern society was fundamentally unjust, she embraced anarchism for the vision it offered of liberty, harmony and true social justice. For decades, she struggled tirelessly against widespread inequality, repression and exploitation.
Goldman’s deep commitment to the ideal of absolute freedom led her to espouse a wide range of controversial causes. A fiery orator and a gifted writer, she became a passionate advocate of freedom of expression, sexual freedom and birth control, equality and independence for women, radical education, union organization and workers’ rights.
Support for these ideas—many of which were unpopular with mainstream America—earned Goldman the enmity of powerful political and economic authorities. Known as “exceedingly dangerous” and one of the two most dangerous anarchists in America, she was often harrassed or arrested while lecturing, and sometimes banned outright from speaking. Insisting on the right to express herself in the face of overwhelming odds, Goldman became a prominent figure in the establishment of the right to freedom of speech in America.
Although Goldman was hostile to religion in general, her core beliefs emerged in part from a Jewish tradition that championed the pursuit of universal justice. Her early experiences in Russia and as an immigrant to the United States laid the groundwork for her later analyses of political and economic problems, and she understood that her own ideals had their roots in a Jewish historical experience shaped by longstanding oppression. Goldman’s career stands as an important chapter in the history of Jewish activism in America.

15 Social Media Mistakes that are Strangling Your Success

Filed under: Notes — admin @ 14:27

15 Social Media Mistakes that are Strangling Your Success

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While it’s not new, I’m often surprised by the way bloggers use—and mis-use—social media.
Each of us has our own blogging journey, and we use different tools in our own unique ways. Yet there are still quite a few very common errors that I continue to see bloggers making as they work with social media.
Norwegian_viper

Image by stock.xchng user

These mistakes have the potential to make your social media experience a struggle—if not put you off it completely. But if you persist with them over time, they have the potential to do significant harm to your brand and your blog.

Think about it: social media is a very public space, perhaps even more public than your blog. Although we might not be conscious of it, every time we make a status update on a social network, we have the potential to reach a huge audience of people we don’t know through others sharing our messages.
That can happen whether the messages are good or bad, for better or for worse.
Take a look at these 15 mistakes, which definitely send the wrong message. Then, let me know in the comments if you’re making any of these errors.

1. Using social media as broadcast media

We all know that social media is an engagement tool, but how many of us treat it that way?
What’s your ratio of “broadcast” updates to direct, personal updates that address other users individually? And who are those direct updates to—friends and family and people you feel “safe” with, or are you reaching out to new contacts, readers, and others in your niche?

2. Not responding to contacts

While you may not want to connect with everyone on every social network, the blogger looking to build an online presence should focus on responding to contacts from others on social media.
Avoiding one-word responses is ideal—look for ways to connect naturally and easily with every person who approaches you, and you’ll see real benefits from social media.

3. Not joining your readers on the networks they use

Where are your users congregating online? Which networks do they use? Are you on those networks, or are you holding off because you think you don’t have enough time or energy to tackle a new network?
Not long ago, I started developing the dPS presence on Pinterest, and I’ve never looked back. While there’s no perfect time for anything, leaving yourself out of a social network where your audience is active could mean you’re leaving money on the tqble—or readers out of the loop!

4. Not offering follow and share buttons on your content

On your post pages, do you offer readers the option to share the post on social networks and the opportunity to follow you on those networks?
Offering one or the other is better than nothing, but it’s important to offer both. Of course, your follow buttons might appear in a location that’s globally available throughout your blog—like in the header or sidebar. But do make sure users have both options.

5. Not following or friending your readers

If a reader contacts you on social media, do you follow them?
While following massive numbers of people can be overwhelming, if you’re just starting out on a new network, connecting with those who contact you is a great way to make the most of the medium and get a feel for what your readers are doing on that network.

6. Not following or friending industry contacts

Connecting with people from your broader niche is an excellent way to stay abreast of news and get on the radars of others you haven’t met, but whose work you admire.
Who knows? They might follow you back—and share your updates with their followers. But even if they don’t, you have the potential to get a sound perspective of the players in your niche, and their work, on social media.

7. Not presenting your brand consistently on a network

Every blogger and blog brand has a range of facets, but these need to be carefully managed—even curated—if you want to give your followers a clear idea of who you are and what you’re about.
Chop and change in the way you approach a given network or your followers, or present your brand, and you might do more harm than good.

8. Not presenting your brand consistently across different networks

Following on from the previous point, you will have readers who follow you on multiple networks, so it’s important to present yourself and behave consistently in all your dealings, whatever the network.
Your blog’s Twitter, Facebook, Google+, LinkedIn and Pinterest accounts should share brand characteristics, even if you target the information you share with each network individually.

9. Only doing the basics on each network

Social networks have come a long way since they were first launched. Even the more recent arrivals to this industry are evolving new features all the time. Yet many of us ignore these developments, and just keep posting the same stuff, day in, day out.
Are you aware of the features of each of the networks you’re using? Are you up-to-date with what each network offers your blog? If you’re not, you could be missing valuable opportunities to promote your blog, to meet potential readers, and eventually, to make sales.

10. Not tracking social media traffic

At the most basic level, it’s worth knowing what portion of your blog’s traffic comes from social media, and from which networks.
This knowledge can help you focus your efforts, prioritize your work, and manage your time to best effect. It can also help you to respond to one-off traffic events arising from particular networks.

11. Not tracking how much your content is shared

On the other side of the coin, it’s also important to keep an eye on how much your content is shared. I’ve found this particularly useful when I’ve joined a new network, as it helps me to understand what works in that space and what doesn’t.
Looking at what’s shared—in terms of blog content and my own social media updates—is an essential step in making the most of a social network.

12. Not listening to discussions about your brand and niche

Similarly, it’s important to track not just what people on a given social network are saying about your blog and brand, but also about your niche itself. Social listening is the answer.
This can give you post ideas, opportunities to connect with readers on topical issues that they care about—even ideas for updating your blog’s layout or post categorisation. Social media listening is a great way to get to know what your audience is thinking and feeling.

13. Not listening to your main competitors

The listening doesn’t stop there, though. you can also set up searches for social media discussions of your main competitors, or key players in your niche, and find out what the audience has to say about them.
This can help you find gaps in your market for information and commentary, give you prodict ideas, and a lot more.

14. Not posting at high-sharing, high-visibility times of day

This is a big one. Even if your social media followers are in your timezone, there are going to bebetter and worse times to share on social media.
If you’re listening to find out the way your niche works on social media, you should have an idea of when its players—organizations and audience members—are most active. By tying that information to the traffic and sharing tracking mentioned above, you should be able to piece together a picture of the best times to get traction from social media among your target readership.

15. Not realising that promotion doesn’t stop with social media

Social media has its place, but it’s only one way to reach the people you want to read your blog. It’sone piece in a big promotional puzzle, and it’s one that’s actually independent of a digital presence that you own.
That presence is on your blog itself. But if you only ever use social media to try to get people to your site, you’ll soon kill off any goodwill you’d established. This is why social media really should be used as part of a broader promotional toolkit that lets you attract some of the other kinds of readers we mentioned late last week.
Are you making any of these 15 mistakes? They could be slowly strangling your blog’s authority, brand, and ability to attract new readers! Share your thoughts—and tips for social media success—with us in the comments.

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About Georgina Laidlaw

Georgina Laidlaw is a freelance content developer, and Content manager for p

Filed under: Notes — admin @ 08:47
di;abasa di;abasa to skhnik;o me
διάβασα το σκηνικό στο manxatna\
h η κλυρ=τερα στο connetictat
και θυμήθηκα τα μικρ΄λα παιδάκια που κινηματογραφούσα
στην βόλτα με to aytok;inhto me thn anne sto ψεννετιψατ ;htane
δεν θυμάμαι
Είχα κινηματογραφήσει λίγι τη διαδρομ΄γηκαι μετά πο χρόνια ανακάλυθα
ότι το νηπιαγωγείο είναι ουσιαστικά

Filed under: Notes — admin @ 06:19

Detail Image

Detail Image

http://www.luhringaugustine.com/artists/pipilotti-rist/#/images/29/

15 Δεκεμβρίου 2012

Eικονική πραγματικότητα και τέχνη

Filed under: Notes — admin @ 07:30

ΑΣΚΗΣΗ 2——————————————————————-
ΘΕΜΑΤΙΚΗ : Εικονικό-Πραγματικό

Allegory, Animation, Appropriation, Artistic collaboration, Community, Database, Digital, Identity, Information visualization, Interactive art, Internet, Language, Montage, Net art, Network, Public space, Social space, Surveillance, Video

our real/virtual body



Eικονική πραγματικότητα και τέχνη
Toυ Michael Rush

O όρος virtual –εικονικός– εμφανίσθηκε πριν από μερικούς αιώνες και σημαίνει το όμοιο προς το πραγματικό, αλλά όχι το ίδιο το πραγματικό. Oπως είναι π.χ. το είδωλο στον καθρέφτη· ένα ομοίωμα του πραγματικού. Oι καιροί αλλάζουν, όμως. Eμπρός στα μάτια μας, η πραγματικότητα και όλα αυτά τα πραγματικά που την συναπαρτίζουν, έχουν αλλάξει. H εικονική πραγματικότητα έχει τόσο βαθιά διεισδύσει στην πραγματική ζωή μας ώστε, μια μέρα μπορεί να ξυπνήσουμε και να μην μπορούμε να διακρίνουμε τι είναι πραγματικό και τι ομοίωμά του.

Mαγεία του ψηφιακού

Yπάρχουν κι εκείνοι που επενδύουν ακριβώς σε αυτό. Aπό τον Πίτερ Tζάκσον που μέσω κομπιούτερ αναβίωσε φανταστικά τον έρωτα του γορίλλα με την ξανθιά στον «Kινγκ Kονγκ» έως τους δημιουργούς των αιματηρών μαχών στα πλεϊστέσιον, όλοι τούτοι οι σττυλοβάτες της ψυχαγωγίας των εκατομμυρίων, δεν κάνουν άλλο τίποτα από το να προωθούν την ψεύτικη μαγεία του ψηφιακού. Kαι εκατομμύρια άνθρωποι στον κόσμο, είναι πρόθυμοι να ανταλλάξουν την πραγματική τους πραγματικότητα για την εικονική πραγματικότητα που τους προσφέρεται στις οθόνες των κινηματογράφων· κι ακόμη περισσότεροι στις οθόνες των υπολογιστών όπου αναζητούν την επαφή.

H «εικονική πραγματικότητα» υπήρχε καινούργια στις αρχές της δεκαετίας του 1990. Mολονότι τότε τα υλικά, τα σύνεργα, οι συσκευές ήταν, σε σύγκριση με τα σημερινά, χοντροφτιαγμένα και σίγουρα πολύ πιο ακριβά, όμως φαινόταν ακατανίκητη η επιθυμία για πλήρη απορρόφηση του πραγματικού κόσμου μέσα στον φανταστικό, μέσω κομπιούτερ. Tο 1993 μια έκθεση με τίτλο «Eικονική πραγματικότητα, ένα αναδυόμενο μέσο», στο τμήμα του Σόχο του Mουσείου Σόλομον Γκούγκενχαϊμ, φιλοδοξούσε να προλάβει αυτό που προέβλεπε ότι συντομότατα θα γινόταν κύμα το οποίο θα κατέπνιγε όλα τα άλλα.

Γιατί δεν φούσκωσε όμως το κύμα εκείνο; O οργανωτής της έκθεσης Tζον Iπολίτο λέει ότι «η πρωταρχική υπόσχεση της εικονικής πραγματικότητας ότι θα κατασκεύαζε έναν φανταστικό τόπο όπου η συνείδηση θα περιπλανιώταν απελευθερωμένη από τα δεσμά του σώματος, έγινε ένα κοινωνικό απολίθωμα». Yπήρχε όμως ένα μεγαλύτερο, πιο συγκεκριμένο πρόβλημα. Eνώ τα κινητά τηλέφωνα με οποιονδήποτε ήχο διαλέξει κανείς, δεν κοστίζουν πάνω από 99 δολάρια, ένα περιβάλλον εικονικής πραγματικότητας κοστίζει γύρω στο ενάμισι εκατομμύριο. Tουλάχιστον κόστιζε μέχρι τώρα. Tώρα, η εικονική πραγματικότητα διατίθεται στους καλλιτέχνες αντί 3 χιλιάδων δολαρίων.

Eίναι δηλαδή κάτι σαν το ζενίθ της βιντεοτέχνης το 1965, όταν η φορητή μηχανή βίντεο έγινε διαθέσιμη σε μαζικές τιμές αγοράς.

Kρυστάλλινη καθαρότητα

O μαλακός δίσκος (software) για τη δημιουργία τέχνης, διατίθεται δωρεάν από το Πανεπιστήμιο του Iλλινόις, όπου οι ερευνητές του Eργαστηρίου Συγχωνευμένων Συστημάτων, υπό τη διεύθυνση του Xανκ Kατσμάρσκι, έχουν δημιουργήσει μια φορητή μηχανή εικονικής πραγματικότητας, ειδικά προορισμένη για καλλιτέχνες. Δεν είναι τυχαίο ότι την Canvas δημιούργησε το Πανεπιστήμιο του Iλλινόις. Tο 1992 οι πρωτοπόροι της εικονικής πραγματικότητας, Nταν Σάντιν, Tομ Nτεφάντι και Kαρολίνα Kρουζ-Nέιρα δημιούργησαν την πρωτότυπη μηχανή εικονικής πραγματικότητας, σε μεγάλη κλίμακα, στον χώρο του Πανεπιστημίου στο Σικάγο. Eίναι κάτι πολύ συναρπαστικότερη από τις ταινίες τρόμου τριών διαστάσεων. Φορώντας τα κατάλληλα γυαλιά και μπαίνοντας στον κύβο με τους έξι τοίχους, είναι σαν να βυθίζεσαι στον ωκεανό ενός άλλου γαλαξία με τα πάντα γύρω να έχουν μια κρυστάλλινη καθαρότητα. Oλόκληρο το σώμα συμμετέχει και μεταλλάσσονται οι αισθήσεις και η ισορροπία. Στην Canvas, τα αποτελέσματα είναι λιγότερο συναρπαστικά, αλλά η σύνολη εμπειρία είναι εξίσου καθοριστική με μόλις ένα μέρος του κόστους.

Mε δύο μηχανές προβολής (χίλια δολάρια έκαστη) εφοδιασμένες με τα κατάλληλα φίλτρα (300 δολάρια έκαστο) ένα σύγχρονο κομπιούτερ γραφείου και το πρόγραμμα Syzygy, το Canvas είναι έτοιμο για να το χρησιμοποιήσουν οι καλλιτέχνες εκείνοι, οι οποίοι επιθυμούν να εισέλθουν σ’ ένα χώρο, στη διάθεση ώς τώρα μόνο στρατιωτικών σχεδιαστών και επιχειρηματιών.

Kαι τα μόνα που χρειάζεται, το κοινό είναι ένα ζευγάρι γυαλιά στέρεε (1 δολάριο). Για την καλλιτέχνιδα των πολυμέσων Pόουζ Mάρσακ, είναι αυτό που περίμενε για να δημιουργήσει νέα τέχνη από τον σκληρό δίσκο (hardware). Tο χρησιμοποιεί μαζί με τον συγγραφέα Pικ Πάουερς για να δημιουργήσουν ένα «αισθηματικό Tαξίδι», όπως το αποκαλούν, στον 20ό αιώνα.

O Nταν Σάντιν έχει δημιουργήσει ένα φορητό σύστημα εικονικότητας και περιοδεύει στον κόσμο, παρουσιάζοντας τα καλλιτεχνικά έργα του τα οποία απαιτούν πολλούς χρήστες. Eνβ, είναι το όνομα μιας σειράς εικονικών καλλιτεχνικών εμπειριών, όπου οι χρήστες αλληλεπιδρούν σε κοινούς, εικονικούς χώρους.

Στη σειρά «Ψάχνοντας για νερό», οι χρήστες συμμετέχουν σε ένα απόκοσμο περιβάλλον, δημιουργημένο από αληθινές φωτογραφίες δορυφόρων. Kαθώς προχωρούν, βιώνουν την πτώση στη Γη και σ’ ένα αρχιπέλαγο που τα νερά του είναι δημιουργημένα από αληθινές φωτογραφίες που ο Σάντιν τράβηξε με βίντεο σ’ ένα ταξίδι του με καγιάκ.

H δημιουργία τούτη ή, αναδημιουργία ενός υπερ-φωτορεαλιστικού κόσμου, είναι ο πυρήνας της σύγχρονης τέχνης της εικονικής πραγματικότητας. Oχι όλης όμως. O Nεοϋρκέζος καλλιτέχνης Tζον Σάιμον ο οποίος δημιουργεί τους δικούς του μαλακούς δίσκους για τις εικονικές πραγματικότητες, υποστηρίζει ότι, το καθένα από τα δικά του έργα τέχνης, «είναι ένας μικρός κόσμος που αναπτύσσεται και αλλάζει σύμφωνα με τους κανόνες του». «Oι κόσμοι αυτοί δεν βασίζονται στους φυσικούς νόμους του πραγματικού αλλά στη θεωρία των χρωμάτων, τις ρυθμικές αναλογίες και την αυτοματική σύνθεση». Oρισμένα έργα του να σημειωθεί είναι εμπνευσμένα από τον Mοντριάν.

Aποσταθεροποίηση της εμπειρίας

H μίμηση του πραγματικού δεν ενδιαφέρει ιδιαίτερα αυτούς τους καλλιτέχνες. Tους ενδιαφέρει η μετάλλαξη της σύλληψης και των ιδεών. Oταν ο Mπρους Nάουμαν, ο Mάικλ Σνόου και ο Πίτερ Kάμπους, στράφηκαν στη βιντεοτεχνολογία στη δεκαετία του 1960, το έκαναν για να προκαλέσουν τις προσδοκίες του κοινού, αποσταθεροποιώντας τες και παρέχοντας μια ασυνήθιστη, αντί της κοινής, εμπειρία. Oι «Περιστρεφόμενες σφαίρες» του Nάουμαν, του 1970, είναι ψιλά μια μαγευτική και αινιγματική εμπειρία και σε παρόμοιες προσπάθειες αλλαγής των γνωστών εμπειριών, προέβησαν και κινηματογραφιστές της εποχής εκείνης.

Oμως, για να προέλθει αληθινά σπουδαία τέχνη από την εικονική πραγματικότητα, πρέπει να υπερκερασθεί το μαγικό της στοιχείο. H Kάθλιν Xάρλαν, διευθύντρια του Mουσείου Kράνερτ στο Πανεπιστήμιο του Iλλινόις, προσβλέπει στην ταύτιση της καλλιτεχνικής φαντασίας με την τεχνολογική εξέλιξη. Oι καλλιτέχνες δεν πρέπει απλώς να χρησιμοποιούν την τεχνολογία αλλά να την απελευθερώνουν.

H εικονική πραγματικότητα δίνει απεριόριστες δυνατότητες στη χρήση του φωτός, του ήχου, του χώρου, της αίσθησης, της σύλληψης, της οπτικής εμπειρίας και της κατάλυσής της που είναι όλα τους στοιχεία της σύγχρονης τέχνης. Tο ζήτημα δεν είναι τα μηχανήματα, όπως λέει ο Tζον Iπολίτο. Kαι βέβαια, το ζήτημα είναι οι ιδέες. H τεχνολογία είναι εδώ, αλλά περιμένει να απελευθερωθεί. Mε ιδέες.

http://news.kathimerini.gr/4dcgi/_w_articles_world_1_10/01/2006_169419

ΨΥΧΟΣΩΜΑ+

Filed under: Notes — admin @ 04:42

http://www.youtube-nocookie.com/embed/-70AuMQBqoI

Quay Brothers

Filed under: Notes — admin @ 04:39

Quay Brothers: On Deciphering the Pharmacist’s Prescription for Lip-Reading Puppets

August 12, 2012–January 7, 2013


Theater 2 Gallery
Theater 1 Gallery
First floor
Second floor

This MoMA gallery exhibition and accompanying film retrospective will be the first presentation of the Quay Brothers’ work in all their fields of creative activity. Internationally renowned moving image artists and designers, the Quay Brothers were born outside Philadelphia and have worked from their London studio, Atelier Koninck, since the late 1970s. For over 30 years, they have been in the avant-garde of stop-motion puppet animation and live-action movie-making in the Eastern European tradition of filmmakers like Walerian Borowczyk and Jan Svankmajer and the Russian Yuri Norstein, and have championed a design aesthetic influenced by the graphic surrealism of Polish poster artists of the 1950s and 1960s. Beginning with their student films in 1971, the Quay Brothers have produced over 45 moving image works, including two features, music videos, dance films, documentaries, and signature personal works, including The Street of Crocodiles (1986), the Stille Nacht series (1988–2008), Institute Benjamenta (1995), and In Absentia (2000). They have also designed sets and projections for opera, drama, and concert performances such as Tchaikovsky’sMazeppa (1991), Ionesco’s The Chairs (Tony-nominated design, 1997), Richard Ayre’s The Cricket Recovers (2005), and recent site-specific pieces based on the work of Bartók and Kafka.
In addition to their better known films, this exhibition will include never-before-seen moving image works and graphic design, drawings, and calligraphy, presenting animated and live-action films alongside installations, objects, and works on paper.

Organized by Ron Magliozzi, Associate Curator, Department of Film.
Major support for the exhibition is provided by MoMA’s Wallis Annenberg Fund for Innovation in Contemporary Art through the Annenberg Foundation.
The Quay brothers in the studio. Photo courtesy of the Quay Brothers

Mapping on hotel Hilton in center of Prague.Super-menace

Filed under: MAPPING PROJECTION,Notes — admin @ 04:17
Mapping on hotel Hilton in center of Prague.
Mapping by Initi (Macula), Soma (Macula), SHQ
Music: CoH – Path #1

[vimeo http://www.vimeo.com/9744932 w=500&h=281]
Super-menace from the macula on Vimeo.

Mapping on Aeroport night

Filed under: Notes — admin @ 04:11

Mapping on Aeroport night club during the 44th Karlovy Vary International Film Festival.
Mapping by Macula, Luminescent Drive.
Music: Moabi “Hey You”

[vimeo http://www.vimeo.com/8533607 w=500&h=281]
Aeroport mapping from the macula on Vimeo.

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