Selected Courses on Digital Art-UOWM

26 Φεβρουαρίου 2013

Filed under: Notes — admin @ 08:56
mona lisa

This work seems to be Basquiat’s answer to Warhol’s Dollar Bill andMona Lisa paintings. Basquiat usually paints large fields of colour by applying broad brush strokes with acrylic paint, while drawing and writing in oil stick. This pattern applies to the orange top part of this painting. The portrait at centre, however, has hair, skin and parts of the bust filled-in with repeated oil stick lines. Leonardo’s Mona Lisa seems to grow into the dollar note at top, obscuring what would be the face of George Washington. Art and money are two different currencies, even different worlds, which can be converted only with difficulty. The uncompromising and urgent way the artist spent the money he made is legend. In this painting he lets us know that although he loved money his ultimate faith lay in art.


http://www.dailyartfixx.com/tag/andy-warhol/#

Advanced Photography Workshop in Southern France

Filed under: Notes — admin @ 08:41

http://www.youtube-nocookie.com/embed/rNmSGgBJsMU

http://www.youtube-nocookie.com/embed/2o3KtSGS3t4

Filed under: Notes — admin @ 07:30

Filed under: Notes — admin @ 07:22

http://www.youtube-nocookie.com/embed/yJfqq9XFKos http://www.youtube-nocookie.com/embed/K5ljEBkCeMQ http://www.youtube-nocookie.com/embed/HmcADeaiHAcstorytelling http://www.youtube-nocookie.com/embed/D2HF-1xjpP8 http://www.youtube-nocookie.com/embed/hlx-M53dC7MShot at the BMW Museum in Munich, these balls were attached to strings from the ceiling and together they created three dimensional shapes including a car http://www.youtube-nocookie.com/embed/mr7rGLngvVcHeadspace is an interactive robotic artwork with 256 independently moving rods in a matrix some 1.5m by 1.5m. The control system is loaded with 3D scans of 700 school students. Headspace is a variable relief sculpture. Located at Christ Church Grammar School Perth, Western Australia. Artist, Geoffrey Drake-Brockman

Filed under: Notes — admin @ 07:18

Human Nature

Ars Electronica 2009
Linz, September 3rd – 8th

The Reinvention of Nature
We are entering a new age here on Earth: the Anthropocene. An age definitively characterized by humankind’s massive and irreversible influences on our home planet. Population explosion, climate change, the poisoning of the environment and our venturing into outer space have been the most striking symbols of this development so far.
But to a much more enormous extent, the achievements of genetic engineering and biotechnology are the truly indicative markers of this transition to a new epoch. Now, we’re not only changing our environment; we’re revising the fundamentals of life itself—even our own human life.
Humankind has appropriated the mantle of Creator. Though we just barely understand how this functions, we’re already modifying entire genomes, constructing new organisms, cloning, creating and inventing new life.
We’re using innovative high-tech methods to observe the human brain while it thinks, so that we can now look behind the veil of our consciousness and see how our mechanisms of perception and decision-making capacities are reflected in our neurons. The long-established boundaries segregating nature and culture are breaking down, and we are once again confronted by the question of the essence of humanness and the nature of the human being.
Thirty years after its founding, this globally established festival’s mission remains the same—we are steadfastly dedicated to the pursuit of the curiosity that is so deeply rooted in humankind’s nature, and we continue to intrepidly peer far into the future. Our immediate objective: to once again foment a fruitful, fascinating dialog at the interface of art, technology and society.
The new Ars Electronica Center that debuted at the outset of this year plays a key role in this endeavor, in that its extraordinary exhibition concept is totally focused on the question of how scientific findings and methods are changing the way we see the world and our views of humankind.
Linz is Europe’s 2009 Capital of Culture. As a major contribution to our city’s big year, the festival’s first project is already being launched on June 17, the day the 80+1 Base Camp is being set up on Linz’s Main Square as the point of departure of a virtual ‘round-the-world journey that, following completion of its 81-day itinerary, returns to Linz just in time for the festival. There, 80+1 will culminate in a globally-networked symposium on cloud intelligence.
2009 also brings us to a joyous milestone: Ars Electronica’s 30th anniversary! As befitting this occasion, an intense retrospective look at the dynamic development of media art will be a key component of the festival program.
Led, curated and produced by artists and scientists—and inspired by their work—the festival’s jam-packed lineup of fascinating events constitutes, as ever, an expedition into hybrid reality and the future of our world.
So, just what is this going to be like, this new nature that human beings are going about engendering?

Filed under: Notes — admin @ 07:15
“La Porta d’Europa” (Η Πύλη της Ευρώπης): Ένα
μνημείο φόρος τιμής για τους περισσότερους από
10.000 πρόσφυγες και μετανάστες που έχασαν τη
ζωή της στη Μεσόγειο προσπαθώντας να φτάσουν
στην Ευρώπη. Λαμπεντούζα, Ιταλία, Οκτώβριος 2011

25 Φεβρουαρίου 2013

Filed under: Notes — admin @ 23:04

http://www.youtube-nocookie.com/embed/ZXJWO2FQ16c

Filed under: Notes — admin @ 21:53

http://www.youtube-nocookie.com/embed/ubbScrsPnN0

24 Φεβρουαρίου 2013

Filed under: Notes — admin @ 05:39

http://www.youtube-nocookie.com/embed/ExfNJDh4K1g

23 Φεβρουαρίου 2013

gerhard richter

Filed under: Notes — admin @ 17:20

http://www.youtube-nocookie.com/embed/zlEMQBoFiYo

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